Morandi



















Arguably, the most influential painter of still-life since Chardin. Link back at title above to The New York Times review by Holland Cotter of the Morandi Exhibit at the Metropolitan Museum of Art. 


Popular posts from this blog

6 Creepy Abandoned Amusement Parks

Blobitecture: 11 Cool Ways Architecture Gets A Round

Lawrence Hutton Collection of Life and Death Masks - Princeton